Multi-Media Brush Sets – Rosemary & Co

Price range: R1 049.00 through R1 445.00

These multi-medium brush sets from Rosemary & Co cater to both beginners and advanced artists alike. Whether you’re just starting or seeking brushes to accommodate various art styles, mediums, and purposes, these sets offer a versatile selection. With a variety of brushes at your disposal, choosing the right tools becomes more effortless, allowing you to expand and diversify your brush collection.

Available Sets:

Set 20, Beginner – All Mediums:  A stunning and carefully curated collection with beginners in mind. We understand the challenge of figuring out what to buy when you’re just starting out, so we’ve taken the guesswork out of it for you! This collection is perfect for any medium, offering a versatile range of tools to kickstart your artistic journey.  This beautiful set is designed to get you started at a very competitive price point. Featuring balanced pink handles and smart black ferrules, these brushes are not only aesthetically pleasing but also a delight to paint with. Whether you’re a budding artist or exploring a new hobby, this collection is sure to inspire creativity and help you achieve beautiful results.

Product Features:

  • Balanced pink handles and smart black ferrules.
  • Ideal for any medium.
  • This set contains 8 brushes (all on Short Handles).
  • Includes the following brushes: 2 Short flats, a Soft Goat Mop and 5 Pointed Rounds.

Jason Morgan Basic Wildlife Set: This basic set is a great selection for artists who want to create wildlife art. This set will help artists produce various techniques that are useful for wildlife art, from dappled fur to clean lines. Rosemary & Co’s  brushes are of the finest quality, handmade for the last 35 years by a small Yorkshire based team and all materials for each brush are carefully sourced.

Product Features: 

  • Ivory coloured brushes.
  • Made with synthetic bristles.
  • Ideal for any medium.
  • A set of 6 brushes.
  • Includes: Series 301 Pointed Round Golden Synthetic ( size 4, short handle), Ivory Rigger ( size 2, short handle), Classic Long Flat (size 1 and 4, long handle), Series 2045 Chungking Filbert (size 6, long handle), Series 222 Flat One Stroke Synthetic ( size 1″).

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Description

Cleaning your brushes is an important investment both of your time and your money. The more you look after your tools, the better they will serve you. Extend the longevity of your brushes by following these easy brush-cleaning tips:

Watercolour Brushes: Cleaning watercolour brushes is simple. Take your brushes to the sink and rinse them under running water, allowing the pigment to wash away naturally. Use a bar of soap and gently move the brush back and forth across the palm of your hand to ensure the bristles are thoroughly cleaned. Once clean, gently squeeze out excess water, reshape the brush to its original form, and store it upright. Conditioning your brushes occasionally will help maintain their performance and longevity.

Acrylic Brushes: Acrylic brushes must be cleaned between every use. If acrylic paint is allowed to dry on the bristles, it will harden and permanently bond the fibres together. For this reason, we generally recommend synthetic brushes over natural hair brushes, as they are more durable and easier to clean when working with acrylics. Never allow acrylic paint to dry on your brush—it becomes extremely difficult to remove. Start by wiping away excess paint with a rag or kitchen towel to speed up the cleaning process. Rinse the brush thoroughly with water, working the bristles gently in the palm of your hand to release the paint. Soap can be used to make cleaning faster and also helps condition the brush.

Oil Brushes: Begin by wiping excess paint from your brushes using a rag or paper towel. Wash them thoroughly with a good-quality soap, such as olive oil soap. For a deeper clean, you can also use dish soap—known in England as Fairy Liquid, or elsewhere as products like Murphy’s Oil Soap or Dawn. We do not recommend using mineral spirits or solvents. While they may clean brushes more quickly, they are known to damage and shorten brush life. Since oil dissolves oil, using a non-drying oil is effective and safe. Suitable options include safflower, rapeseed, or linseed oil. A helpful tip is to avoid loading paint all the way down to the ferrule. This is one reason many oil painters prefer long flats, long filberts, or egberts, as the extended hair length keeps paint away from the base. It’s essential to clean the entire brush thoroughly—paint left near the ferrule can cause the bristles to splay outward over time. After cleaning, always reshape the brush. A great tip from Richard Schmid is to fold a piece of card over flat or  brushes and secure it with a peg to help them hold their shape while drying. Truthfully, there are countless methods—find what works best for you.

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Conclusion: Regardless of your preferred cleaning method, always reshape your brushes to their original form before allowing them to dry. If your round brushes come with protective caps, we recommend discarding them. These caps are intended for transport only, and unless you have excellent eyesight and a very steady hand, replacing them often bends the bristles. Ensure brushes are left somewhere they can dry completely, and never store them in an airtight container while still damp. Investing in a brush wrap or protective case is a great way to store and transport your brushes safely.

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