Description
The first commercially produced transfer paper, Saral paper was developed in the 1950s by Sara “Sally” Albertis, an artist who was tired of making her own. Available in five colours (graphite, red, blue, white, and yellow).
- Graphite: The all-purpose tracing medium. Excellent for illustration board and all drawing papers, wood, fabrics, canvas and metal. (* Please note: Only available in the sampler).
- Red: Excellent for ceramics and china painting. The lines will fire out. Shows up equally well on light or dark surfaces and mixtures of the two, such as photographs and photostats. May be used on acetate overlays, plastics and enamel.
- Blue: Non-photographic. It’s not necessary to clean off Saral blue when work goes before the plate-making camera. Ideal for key lines, mechanicals, paste-ups. For Tole Painters, it leaves a bright, easy to see transfer line.
- Yellow and White: For tracings on dark surfaces. Excellent on dark fabrics, dark wood, metal, as well as dark painting surfaces. Tole painters find white especially useful. Yellow is best for work on clear or stained glass.
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