Acrylic Ink Singles – Liquitex
R145.00 – R335.00
Ultra-fluid acrylic with lightfast, artist-quality pigments. No dyes. No fade. Just pure, permanent colour and like all acrylics, it dries quickly and permanently, with no smudging or bleeding when rewetted or layered. Pure liquid colour in a range of opacities.
This is a fine art ink made with the finest art materials. Reliable high-quality, colour-intense artist pigments are used in this Acrylic Ink. The pigments are processed using the latest basket bead-mill technology, where tiny reinforced ceramic beads give fine dispersion, great colour development, strength and brightness. Liquid acrylic can be used in so many ways. Perfect to use straight from the bottle for airbrushing, pouring, pen & ink or a sheer wash of colour. As the lowest viscosity colour, the ultra-fluid formula is ideal for fine and flowing applications and techniques. Add a professional medium to adjust it further.
Each pigment has its own unique natural character and this dictates its opacity. Among the 30 ink colours, there is a choice of opaque, semi-opaque and transparent colours – all shown on the label. Water-resistant and permanent with no smudging. The ink dries quickly and doesn’t move once dry – which means you can over-paint without bleeding and achieve multi-layered, velvety surface effects.
Included in the range is the Liquitex pen cleaner solution – 150ml. Pen Cleaner is the ideal way to remove wet and dried acrylic residue from pens, airbrush parts and brushes.
Try Acrylic ink on:
- stretched canvas
- paper & board
30 colours available in 30ml bottles.
Colour Disclaimer. Actual colours may vary since every computer monitor has a different capability to display colours and everyone sees these colours differently. We cannot guarantee that the colour you see accurately portrays the true colour of the product.
As with all Liquitex products, the pigments in Acrylic Ink have passed extensive tests for lightfastness. Each pigment is rated according to the American Society for Testing & Materials (ASTM), and we only use pigments rated ASTM I or II*. This means your work will have the greatest archival permanence possible – at least 50 years+ in gallery conditions – with no colour shifting or fading, to stay vibrant and true.
*Metallic pigments are naturally less lightfast.
Cadmium Yellow Light Hue (159), Yellow Medium Azo (412), Yellow Orange Azo (414), Vivid Red Orange (620), Napthol Crimson (292), Pyrrole Red (321), Quinacridone Magenta (114), Dioxazine Purple (186), Deep Violet (115), Prussian Blue Hue (320), Phthalocyanine Blue Green Shade (316), Cerulean Blue Hue (470), Turquoise Deep (561), Phthalocyanine Green Blue Shade (317), Phthalocyanine Green Yellow Shade (319), Sap Green Permanent (315), Vivid Lime Green (740), Yellow Oxide (416), Transparent Raw Sienna (332), Red Oxide (335), Transparent Burnt Sienna (129), Transparent Burnt Umber (130), Transparent Raw Umber (333), Titanium White (432), Neutral Gray 5 (599), Carbon Black (337), Iridescent Bright Silver (236), Iridescent Bright Gold (234), Iridescent Rich Bronze (229), Iridescent Rich Copper (230), Pen Cleaner, Muted Violet (502), Muted Turquoise (503), Muted Pink (504), Muted Grey (505), Muted Green (501)