Professional Water Color Half Pans – Mungyo
R49.00
Mungyo Professional Water Color Half Pans contain good quality watercolour paint that has a vivid colour intensity, transparency, and brilliance with superior dilution and superb lightfastness. Made from pure pigments and with no additives, these colours will mix perfectly and yet still retain their beautiful intensity.
Product features:
- Available in 48 lightfast and vivid colours.
- Made with pure pigments, no additives.
- Colours mix together perfectly, offering superbly subtle shades.
- Can be used with a Mungyo empty tin to create your own unique set.
- Perfect for the artist on the go or in the studio.
- Half Pan Size: 16 x 20 x 10mm.
View our range of Mungyo Professional Water Color Half Pan Sets.
View our Mungyo empty watercolour pans and empty watercolour tin cases.
Available Options:
Additional information
| Colours | White (801), Lemon Yellow (802), Naples Yellow (803), Yellow (804), Yellow Orange (805), Orange (806), Vermillion (807), Scarlet (809), Permanent Red (810), Permanent Rose (811), Rose Madder (812), Crimson Lake (813), Opera (814), Cold Pink (815), Permanent Violet (816), Purple (817), Cerulean Blue (818), Cobalt Blue (819), Ultramarine (820), Prussian Blue (823), Permanent Light Blue (826), Malachite Green (828), Deep Phthalo Green (830), Viridian (832), Hooker Green (833), Cadmium Green Light (834), Sap Green (835), Yellow Green (836), Olive Green (838), Greenish Yellow (840), Olive Brown (842), Green Grey (843), Yellow Ochre (844), Raw Umber (845), Burnt Sienna (846), Raw Sienna (847), Light Red (848), Brown Red (849), Burnt Umber (850), Van Dyk Brown (852), Indigo (854), Black (860), French Grey (861), Pearl White (862), Silver (863), Gold (864), Copper (865), Jaune Brilliant (869) |
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1 review for Professional Water Color Half Pans – Mungyo
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Bruno (verified owner) –
In my opinion Mungyo is the best bang-for buck watercolour brand out there. They are cheap compared to most artist- quality brands and still retain a lot of saturation, vibrancy and good handling characteristics. I’ve had success with them both using glazing and wet-in-wet techniques. In my opinion they are comparable to, and slightly better than the Winsor and Newton Cotman series. I’ve seen Mungyo get knocked a bit for some of their colours being fugitive (eg Opera Pink) but so long as you avoid those pigments you will be golden.